Amir Khusrau
Amir Khusrau | |
|---|---|
Amir Khusrow teaching his disciples in a miniature from a manuscript of Majlis al-Ushaq by Sultan Husayn Bayqara | |
| Background information | |
| Born | Ab'ul Hasan Yamīn ud-Dīn K͟husrau 1253 |
| Died | October 1325 (aged 71–72) |
| Genres | Ghazal, Qawwali, Ruba'i, Tarana |
| Occupations | Sufi, singer, poet, composer, author, scholar |
| Arabic name | |
| Personal (Ism) | Khusraw خسرو |
| Patronymic (Nasab) | ibn Maḥmūd ابن محمود |
| Teknonymic (Kunya) | Abū al-Ḥasan أبو الحسن |
| Epithet (Laqab) | Yamīn al-Dīn يامين الدين |
| Toponymic (Nisba) | al-Dehlawī الدهلوي |
| Urdu literature اُرْدُو اَدَبْ | |
|---|---|
| Urdu literature | |
| By category Urdu language Rekhta | |
| Major figures | |
| Amir Khusrau - Wali Dakhani - Mir Taqi Mir - Ghalib - Abdul Haq - Muhammad Iqbal | |
| Urdu writers | |
| Writers – Novelists – Poets | |
| Forms | |
| Ghazal - Dastangoi - Nazm – Fiction | |
| Institutions | |
| Anjuman-i Taraqqi-i Urdu Urdu movement Literary Prizes | |
| Related Portals Literature Portal Pakistan Portal | |
Abu'l Hasan Yamīn ud-Dīn Khusrau (1253 – October 1325), better known as Amīr Khusrau, sometimes spelled as, Amir Khusrow or Amir Khusro, was an Indo-Persian Sufi singer, musician, court poet and scholar, who lived during the period of the Delhi Sultanate.
He is an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi, India. He wrote poetry primarily in Persian, but also in Hindavi and Punjabi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian and Hindavi terms is often attributed to him. Khusrau is sometimes referred to as the "voice of India" or "Parrot of India" (Tuti-e-Hind).
| Part of a series on Islam Sufism |
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Khusrau is regarded as the "father of qawwali" (a devotional form of singing of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrau was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.