William Wyler

William Wyler
Wyler in 1945
Born
Willi Wyler

(1902-07-01)July 1, 1902
Mülhausen, German Empire (now in France)
DiedJuly 27, 1981(1981-07-27) (aged 79)
Beverly Hills, California, U.S.
Resting placeForest Lawn Memorial Park, Glendale, California, U.S.
Citizenship
  • Switzerland
  • U.S. (from 1928)
Occupations
  • Film director
  • producer
Years active1925–1970
Spouses
(m. 1934; div. 1936)
(m. 1938)
Children5
RelativesCarl Laemmle Jr. (cousin)
Military career
Allegiance United States
Branch Army National Guard
Army Air Forces
Service years1921–1922 (National Guard)
1942–1945 (Army Air Forces)
Rank Lieutenant Colonel
Unit Army Signal Corps
New York Army National Guard
ConflictsWorld War II
Awards Purple Heart
American Campaign Medal
European–African–Middle Eastern Campaign Medal
World War II Victory Medal

William Wyler (/ˈwlər/; born Willi Wyler (German: [ˈvɪli ˈvi:lɐ]); July 1, 1902 – July 27, 1981) was a German-born American film director and producer. Known for his work in numerous genres over five decades, he received numerous awards and accolades, including three Academy Awards. He holds the record of twelve nominations for the Academy Award for Best Director. For his oeuvre of work, Wyler was awarded the Irving G. Thalberg Memorial Award, the Directors Guild of America Lifetime Achievement Award, and the American Film Institute Life Achievement Award.

Wyler emigrated to the United States in 1921 where he worked first for Universal Studios in New York before moving to Los Angeles. By 1925, he was the youngest director at Universal, and in 1929 he directed Hell's Heroes, Universal's first sound production filmed entirely on location. Wyler went on to win the Academy Award for Best Director three times, for Mrs. Miniver (1942), The Best Years of Our Lives (1946), and Ben-Hur (1959), all of which also won for Best Picture. He was Oscar-nominated for Dodsworth (1936), Wuthering Heights (1939), The Letter (1940), The Little Foxes (1941), The Heiress (1949), Detective Story (1952), Roman Holiday (1953), Friendly Persuasion (1956), and The Collector (1965).

Film historian Ian Freer calls Wyler a "bona fide perfectionist", whose penchant for retakes and an attempt to hone every last nuance "became the stuff of legend." His ability to direct a string of classic literary adaptations into huge box-office and critical successes made him one of "Hollywood's most bankable moviemakers" from the 1930s to the 1960s. Through his talent for staging, editing, and camera movement, he turned dynamic theatrical spaces into cinematic ones. Wyler is also known for his work as an actors' director, often propelling them to stardom.