Verckys Kiamuangana Mateta
Verckys Kiamuangana Mateta | |
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Verckys in 2021 | |
| Background information | |
| Also known as |
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| Born | Georges Kiamuangana Mateta 19 May 1944 |
| Died | 13 October 2022 (aged 78) Kinshasa, Democratic Republic of the Congo |
| Genres | Congolese rumba |
| Occupations |
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| Instrument | Saxophone |
| Years active | 1960s–1980s |
| Label | Editions Vévé International |
| Formerly of |
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Georges Kiamuangana Mateta (19 May 1944 – 13 October 2022), known professionally as Verckys, was a Congolese saxophonist, composer, producer, bandleader, and record executive. A significant figure in the evolution of 20th-century Congolese and African popular music, he is referred to as "Vévé", "the man with the iron lungs" and "Wazola Nzimbu". Kiamuangana's record label Éditions Vévé brought many Congolese musicians to prominence, including Zaïko Langa Langa, Koffi Olomide, Empire Bakuba, Afrisa International, OK Jazz, Langa Langa Stars, Victoria Eleison, Historia Musica, Orchestre Kiam, and others.
He began his career with Kinshasa-based band Los Cantina and subsequently performed with several prominent bands, such as Fauvette Kabangu's Jamel National, Paul Ebengo Dewayon's Congo Jazz, Gérard Kazembe's Oui Fifi, and Johnny Bokelo's Conga Succès. He garnered widespread acclaim after joining Franco Luambo's OK Jazz in 1963, where his saxophone solos were central to sebene-driven hits like "Bolingo ya Bougie", "Polo le Chipeur", and "Mokoloya Mitano Na Monaki Yo". He also composed some of OK Jazz's breakout songs, including "Chérie O Changer", "Oh Madame de la Maison", "Mobali Na Ngai", and "Gina Simba Ngai". He left OK Jazz in February 1969 and founded Orchestre Vévé by April of that year. The band quickly emerged as one of Zaire's most commercially successful recording and live acts.
In 1972, Kiamuangana established Kinshasa's most modern recording studio, Vévé Studio, and in 1978, he inaugurated the entertainment complex known as Vévé Centre. He also served as the president of UMUZA (Union des Musiciens Zaïrois), succeeding Franco Luambo at the end of 1978. As his business ventures flourished, Kiamuangana's performance schedule diminished, which ultimately led to Orchestre Vévé's gradual dissolution.