Turangalîla-Symphonie
| Turangalîla-Symphonie | |
|---|---|
| for piano, ondes Martenot, and orchestra | |
| by Olivier Messiaen | |
Messiaen (1986) | |
| Other name | Turangalîla |
| Catalogue | Simeone: I/29 |
| Period | 20th-century music |
| Genre | Symphony |
| Commissioned by | Serge Koussevitsky |
| Based on | Tristan and Iseult |
| Composed | 17 July 1946 – 29 November 1948 (rev. 1990) |
| Dedication | In memoriam Natalie Koussevitsky (manuscript; published copy bears no dedication) |
| Publisher | Durand |
| Duration | about 80 minutes |
| Movements | 10 |
| Scoring | Large orchestra, ondes Martenot, and piano |
| Premiere | |
| Date | 2 December 1949 |
| Location | Symphony Hall, Boston, Massachusetts, U. S. |
| Conductor | Leonard Bernstein |
| Performers | Boston Symphony Orchestra Yvonne Loriod (piano) Ginette Martenot (onde Martenot) |
The Turangalîla-symphonie is the only symphony by the French composer Olivier Messiaen (1908–1992). It was written for an orchestra of large forces from 1946 to 1948 on a commission by Serge Koussevitzky for the Boston Symphony Orchestra, with two soloists playing piano and ondes Martenot. Along with the Quatuor pour la fin du temps, the symphony is one of the composer's most notable works.
Leonard Bernstein conducted the premiere in Symphony Hall in Boston on 2 December 1949, followed by the New York City première at Carnegie Hall on 10 December (Messiaen's 41st birthday). The latter two performances included an intermission after the fifth movement and were the only work on the programme. The commission did not specify the duration, orchestral requirements or style of the piece, leaving the decisions to the composer. Koussevitzky was scheduled to conduct the première, but fell ill, and the task fell to Bernstein, who never again conducted the work. Yvonne Loriod, who later became Messiaen's second wife, was the piano soloist, and Ginette Martenot played the ondes Martenot for these first performances.
From 1953 on, Yvonne's sister Jeanne Loriod was the ondes Martenot player in many performances and recordings.