The Life and Opinions of Tristram Shandy, Gentleman
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| Author | Laurence Sterne |
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| Publication place | England |
| Text | The Life and Opinions of Tristram Shandy, Gentleman at Wikisource |
The Life and Opinions of Tristram Shandy, Gentleman, also known as Tristram Shandy, is a humorous novel by Laurence Sterne. It was published from 1759 to 1767, in nine volumes across five instalments. The novel purports to be a memoir, but the titular Tristram is an effusive and digressive narrator who begins the story with his conception and doesn't reach a description of his birth until the third volume. While attempting to explain four accidents in his early life which have doomed him to an unhappy future, Tristram describes domestic conflicts between his irritable father Walter and his gentle Uncle Toby, and inserts humorous discourses on a range of intellectual topics.
Stylistically, Sterne is influenced by the earlier satirists Alexander Pope, Jonathan Swift, Rabelais, and Cervantes. The novel is characterised by innuendo, especially sexual double entendre and aposiopesis (unfinished sentences). Sterne burlesques serious writers and genres, particularly parodying Robert Burton's The Anatomy of Melancholy and the genre of consolatio. The novel is also remembered for surprising visual elements, such as blank, black, and marbled pages; entire paragraphs censored with asterisks; and inserted diagrams.
Tristram Shandy was Sterne's first novel, and immediately transformed his life from that of an obscure rural clergyman to that of a literary celebrity. Eighteenth century audiences expressed some reservations about its daring and bawdy humour, especially given Sterne's religious profession, but praised its originality and its moments of sentimental morality. Over time, it has been an influential novel with a mixed reputation: Victorian audiences criticised it as obscene, but modernist and postmodernist authors embraced it in the twentieth century. Adaptations include the 2006 film A Cock and Bull Story, starring Steve Coogan and Rob Brydon as they metafictionally struggle to make the film.