The White-Haired Girl
| The White-Haired Girl | |
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| Cinematography | Weiyun Wu |
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| Music by | Ma Ke |
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| Country | China |
| Language | Mandarin |
The White-Haired Girl (Chinese: 白毛女; pinyin: Bái Máo Nǚ) is a Chinese contemporary classical opera by Yan Jinxuan to a Chinese libretto by He Jingzhi and Ding Yi. It was later adapted to a ballet, a Peking opera, and films. The ballet adaptation was regarded as a revolutionary opera and promoted by the Chinese Communist Party (CCP) as a model revolutionary work.
The plot centers on a young peasant woman who flees persecution by an evil landlord and lives in a dark cave until CCP forces brings her back to the sunlit world (with some of the plot elements being revised over time and in different adaptations). The central theme of the story, in the words of the opera, is that "the Old Society changed people into ghosts, while the New Society changes ghosts into people."
The opera is drew inspiration from stories circulating in the border region of Shanxi, Chahar and Hebei, describing the misery suffered by local peasantry (especially women and girls), particularly a folk story called The White-Haired Fairy Maiden.
Along with Red Detachment of Women, the ballet is regarded as one of the classics in the People's Republic of China, and its music is familiar to almost everyone who grew up during the 1960s. It is one of the Eight Model Operas approved by Jiang Qing during the Cultural Revolution.