The Real McCoy (McCoy Tyner album)
| The Real McCoy | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | October 1967 | |||
| Recorded | April 21, 1967 | |||
| Studio | Van Gelder Studio Englewood Cliffs, New Jersey | |||
| Genre | Jazz, post-bop, modal jazz | |||
| Length | 37:06 | |||
| Label | Blue Note BST 84264 | |||
| Producer | Alfred Lion | |||
| McCoy Tyner chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Rolling Stone Jazz Record Guide | |
| The Penguin Guide to Jazz | |
| Encyclopedia of Popular Music | |
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967, two years after Tyner's departure from the John Coltrane Quartet and during a difficult period in which Tyner considered leaving jazz and taking a day job as a cab driver. It features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter, and former Coltrane Quartet drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections."
In the additional liner notes to the 1999 remastered edition of the album, Bob Blumenthal writes: "Tyner chose to pursue the modal, rhythmically complex direction that the Coltrane quartet had staked out prior to the saxophonist's turn toward freer structures in 1965."