Shao Xunmei
Shao Xunmei | |
|---|---|
c. 1934 | |
| Native name | 邵洵美 |
| Born | Shao Yunlong; 邵雲龍 1906 |
| Died | 1968 (aged 61–62) Shanghai, People's Republic of China |
| Resting place | Gui Yan Cemetery |
| Pen name | Hao Wen; 浩文 |
| Occupation | Writer, poet, publisher |
| Language | Chinese |
| Citizenship | Chinese |
| Education | Beaux-Arts de Paris |
| Years active | 1918-36 |
| Spouse |
Sheng Peiyu (m. 1927) |
| Partner | Emily Hahn |
| Shao Xunmei | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Chinese | 邵洵美 | ||||||||
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| Shao Yunlong | |||||||||
| Traditional Chinese | 邵雲龍 | ||||||||
| Simplified Chinese | 邵云龙 | ||||||||
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| Hao Wen | |||||||||
| Chinese | 浩文 | ||||||||
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Shao Xunmei (Chinese: 邵洵美; Shanghainese: Zau Sinmay; 1906–1968) was a Chinese poet and publisher. He was a contributing writer for T'ien Hsia Monthly, and also was the owner of Modern Sketch. He originated from Shanghai. Jonathan Hutt wrote in Monstre Sacré: The Decadent World of Sinmay Zau that "For many, Shao was not simply inspired by the Occident but rather was of it" and that his lack of awareness of "the Chinese literary scene" distinguished him from his colleagues. On some occasions he used the name Hao Wen (浩文).