Penrhyn Castle

Penrhyn Castle
Penrhyn Castle – the keep to the right, the main block in the centre and the service wing to the left
TypeCountry house
LocationLlandygai, Bangor, Wales
Coordinates53°13′33″N 4°05′41″W / 53.2259°N 4.0946°W / 53.2259; -4.0946
ArchitectThomas Hopper
OwnerNational Trust
WebsiteOfficial website
Listed Building – Grade I
Official namePenrhyn Castle
Designated3 March 1966
Reference no.3659
Official namePenrhyn Park
Designated3 March 1966
Reference no.PGW(Gd)40(GWY)
Listed Building – Grade II*
Official nameGrand Lodge and forecourt walling
Designated3 March 1966
Reference no.3661
Listed Building – Grade II
Official nameWalls and attached structures to terraced flower garden
Designated11 March 1981
Reference no.3 March 1966
Listed Building – Grade II
Official nameKitchen garden wall and attached outbuildings
Designated24 May 2000
Reference no.23375
Location of Penrhyn Castle in Gwynedd

Penrhyn Castle (Welsh: Castell Penrhyn) is a country house in Llandygai, Bangor, Gwynedd, North Wales, constructed in the style of a Norman castle. The Penrhyn Estate was founded by Ednyfed Fychan. In the 15th century his descendant Gwilym ap Griffith built a fortified manor house on the site.

In the 18th century, the Penrhyn Estate came into the possession of the 1st Baron Penrhyn (of the first creation; 1737-1808), in part from his father, a Liverpool merchant, and in part from his wife, Ann Susannah Warburton, the daughter of an army officer. Lord Penrhyn, who was elevated to the peerage in 1783, derived great wealth from his ownership of slave plantations in the West Indies and was a strong opponent of attempts to abolish the slave trade. Lord Penrhyn's wealth was used in part for the development of the slate mining industry on his Caernarfonshire estates, and also for the development of Penrhyn Castle. In the 1780s, Lord Penrhyn commissioned Samuel Wyatt to undertake a reconstruction of the medieval house.

On Lord Penrhyn's death in 1808, the Penrhyn Estate was inherited by his second cousin, George Hay Dawkins, who adopted the surname Dawkins-Pennant. From 1822 to 1837, Dawkins-Pennant engaged the architect Thomas Hopper, who rebuilt the house in the form of a Neo-Norman castle. Dawkins-Pennant, who sat as Member of Parliament (MP) for Newark and New Romney, followed his cousin as a long-standing opponent of emancipation, serving on the West India Committee, a group of parliamentarians opposed to the abolition of slavery, on which Lord Penrhyn had served as chairman. Dawkins-Pennant received significant compensation when, in 1833, emancipation of slaves in the British Empire was eventually achieved, through the passing of the Slavery Abolition Act.

In 1840, the Penrhyn Estate passed to Edward Gordon Douglas, through his marriage to Dawkins-Pennant's elder daughter, Juliana. Douglas, who assumed the surname Douglas-Pennant, was elevated to the peerage as the 1st Baron Penrhyn of the second creation in 1866. He, and his son and heir, George, continued the development of their slate interests at Penrhyn Quarry, and of the supporting infrastructure throughout North-West Wales. Firmly opposed to trade unionism at their quarries, their tenure saw bitter strikes over union recognition and workers' rights, culminating in the Great Strike of 1900–1903, the longest dispute in British industrial history. Little development took place at the castle during this time, which was not the family's principal residence and was mainly used as a holiday home in the summer months, but the interior was enhanced by Lord Penrhyn's creation of a major collection of paintings. These provided the setting for entertaining guests, who included Queen Victoria, her son Albert Edward, Prince of Wales, and William Ewart Gladstone. The castle passed from the Douglas-Pennant family to the National Trust via the National Land Fund in 1951.

Penrhyn Castle is a Grade I listed building, recognised as Thomas Hopper's finest work. Built in the Romanesque Revival style, it is considered one of the most important country houses in Wales and as among the best of the Revivalist castles in Britain. Its art collection, including works by Palma Vecchio and Canaletto is of international importance. In the 21st century, the National Trust's attempts to explore the links between their properties and colonialism and historic slavery have seen the castle feature in the ensuing culture wars.