New-school hip-hop
| New-school hip-hop | |
|---|---|
| Stylistic origins | |
| Cultural origins | Early-to-mid 1980s, Queens, Brooklyn, New York City |
| Typical instruments | |
| Subgenres | |
| Golden age hip-hop | |
| Local scenes | |
| South Bronx, Brooklyn, Hollis, Queens, Jamaica, Queens | |
| Other topics | |
The new school of hip-hop was a mid-1980s movement in hip-hop music, led by artists such as Run-DMC, LL Cool J, and the Beastie Boys. Predominantly from Queens and Brooklyn, it was characterized by drum machine-led minimalism, often tinged with elements of rock; rapped taunts, boasts, and socio-political commentary; and aggressive, self-assertive delivery. In song and image, its artists projected a tough, cool, street B-boy attitude. These elements contrasted sharply with Funk and Disco, novelty hits, live bands, synthesizers, and party rhymes of artists prevalent in the early 1980s. Compared to previous artists, new-school artists crafted more cohesive LPs and shorter songs more amenable to airplay. By 1986–87, their releases began to establish hip-hop in the mainstream. This, along with further innovations by artists like Eric B. & Rakim, Public Enemy, and Boogie Down Productions, led into the golden age of hip-hop.
The terms "old school" and "new school" fell into the vernacular as synonyms for "old" and "new" in hip-hop, to the confusion and occasional exasperation of writers who use the terms historically. The phrase "Leader of the New School", coined in hip-hop by Chuck D in 1988, and given further currency by the eponymous group Leaders of the New School (who were named by Chuck D before signing with Elektra in 1989), remains popular. It has been applied to artists ranging from Jay-Z to Lupe Fiasco.