Miklós Jancsó
Miklós Jancsó | |
|---|---|
Jancsó at his home, 2000 | |
| Born | 27 September 1921 |
| Died | 31 January 2014 (aged 92) |
| Occupations | Film director, screenwriter, producer, actor |
| Years active | 1950–2014 |
| Spouse(s) | Katalin Wowesznyi (1949–1958) Márta Mészáros (1958–1968) Zsuzsa Csákány (1981–2014; his death) |
| Children | Dávid Jancsó |
Miklós Jancsó (Hungarian: [ˈmikloːʃ ˈjɒnt͡ʃoː]; 27 September 1921 – 31 January 2014) was a Hungarian film director and screenwriter. Jancsó achieved international prominence starting in the mid-1960s with works including The Round-Up (Szegénylegények, 1965), The Red and the White (Csillagosok, katonák, 1967), and Red Psalm (Még kér a nép, 1971).
Jancsó's films are characterized by long takes, historical and/or rural settings, and the recurring theme of the abuse of power. His works are often allegorical commentaries on Hungary under Communism and Soviet occupation, although some critics prefer to stress the universal dimensions of Jancsó's explorations. Towards the end of the 1960s and especially into the 1970s, Jancsó's work became increasingly stylized and overtly symbolic.