Maurice Merleau-Ponty

Maurice Merleau-Ponty
Born
Maurice Jean Jacques Merleau-Ponty

(1908-03-14)14 March 1908
Died3 May 1961(1961-05-03) (aged 53)
Paris, France
Other names"Jacques Heller"
Education
EducationÉcole Normale Supérieure (M.A., 1929)
University of Paris (Ph.D., 1945)
Academic advisorÉmile Bréhier
Philosophical work
Era20th-century philosophy
RegionWestern philosophy
SchoolContinental
Phenomenology
Western Marxism
InstitutionsUniversity of Lyon
University of Paris
Collège de France
Notable studentsMichel Foucault
Claude Lefort
Trần Đức Thảo
Main interests
Notable ideas

Maurice Jean Jacques Merleau-Ponty (/ˌmɜːrl ˈpɒnti/ MUR-loh PON-tee; French: [mɔʁis mɛʁlo pɔ̃ti]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art, politics, religion, biology, psychology, psychoanalysis, language, nature, and history. He was the lead editor of Les Temps modernes, the leftist magazine he established with Jean-Paul Sartre and Simone de Beauvoir in 1945.

At the core of Merleau-Ponty's philosophy is a sustained argument for the foundational role that perception plays in the human experience of the world. Merleau-Ponty understands perception to be an ongoing dialogue between one's lived body and the world which it perceives, in which perceivers passively and actively strive to express the perceived world in concert with others. He was the only major phenomenologist of the first half of the twentieth century to engage extensively with the sciences. It is through this engagement that his writings became influential in the project of naturalising phenomenology, in which phenomenologists use the results of psychology and cognitive science.

Merleau-Ponty emphasised the body as the primary site of knowing the world, a corrective to the long philosophical tradition of placing consciousness as the source of knowledge, and maintained that the perceiving body and its perceived world could not be disentangled from each other. The articulation of the primacy of embodiment (corporéité) led him away from phenomenology towards what he was to call "indirect ontology" or the ontology of "the flesh of the world" (la chair du monde), seen in his final and incomplete work, The Visible and Invisible, and his last published essay, "Eye and Mind".