Matador (Danish TV series)
| Matador | |
|---|---|
| Genre | Historical |
| Created by | Lise Nørgaard |
| Written by | Lise Nørgaard Erik Balling Paul Hammerich Jens Louis Petersen Karen Smith |
| Directed by | Erik Balling |
| Starring | Jørgen Buckhøj Ghita Nørby Holger Juul Hansen Malene Schwartz Buster Larsen Helle Virkner Bent Mejding Jesper Langberg |
| Narrated by | Ole Andreasen |
| Theme music composer | Bent Fabricius-Bjerre |
| Country of origin | Denmark |
| Original language | Danish |
| No. of seasons | 4 |
| No. of episodes | 24 |
| Production | |
| Running time | 41–86 minutes per episode |
| Production company | Nordisk Film |
| Original release | |
| Network | Danmarks Radio |
| Release | 11 November 1978 – 2 January 1982 |
| Infobox instructions (only shown in preview) | |
Matador is a Danish TV series produced and aired between 1978 and 1982. It is set in the fictional Danish town of Korsbæk (a portmanteau of Korsør and Holbæk) between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: banker Hans Christian Varnæs, an established local worthy, and Mads (Andersen-)Skjern, who arrives in town as a travelling salesman as the series opens, and builds up a large business. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur.
Directed by Danish film-maker Erik Balling, Matador was the idea of author Lise Nørgaard, who wrote the bulk of the episodes, along with Karen Smith, Jens Louis Petersen, and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents a then peak of longtime development of Danish TV drama by the public service channel Danmarks Radio.
The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.