Joropo
| Joropo | |
|---|---|
| Stylistic origins | Arabic melismatic music, cante jondo, Spanish folklore |
| Cultural origins | 18th century, Colombia's and Venezuela's region Llanos |
| Typical instruments | Harp, cuatro venezolano, capachos or maracas, bandola, mandolin, tiple, bandolón, guitar and guacharaca |
| Subgenres | |
| Romantic Joropo, Creole Joropo, Alternative Joropo | |
| Joropo in Venezuela | |
|---|---|
| Country | Venezuela |
| Reference | 02092 |
| Region | Latin America and the Caribbean |
| Inscription history | |
| Inscription | 2025 (20th session) |
| List | Representative |
The joropo, better known as Música Llanera, is a musical style resembling the fandango, and an accompanying dance. It originated in the Llanos of Colombia and Venezuela 300 years ago and it has African, European and Native South American influences. There are different joropo variants: tuyero, oriental, and llanero. It is a fundamental genre of Venezuelan música criolla. It is also the most popular "folk rhythm": the well-known song "Alma Llanera" is a joropo, considered the unofficial national anthem of Venezuela.
In 1882 it became Venezuela's national dance and music. Formerly, the Spanish word joropo meant "a party", but now it has come to mean a type of music and dance that identifies Venezuelans. In the 18th century, the llaneros started using the word joropo instead of fandango, which was used at the time for party and dance.
In 2025, UNESCO inscribed Venezuelan joropo on the Representative List of the Intangible Cultural Heritage of Humanity.