Hud (1963 film)
| Hud | |
|---|---|
Theatrical release poster by Mitchell Hooks | |
| Directed by | Martin Ritt |
| Screenplay by | Irving Ravetch Harriet Frank Jr. |
| Based on | Horseman, Pass By (1961 novel) by Larry McMurtry |
| Produced by | Irving Ravetch Martin Ritt |
| Starring | Paul Newman Melvyn Douglas Patricia Neal Brandon deWilde |
| Cinematography | James Wong Howe |
| Edited by | Frank Bracht |
| Music by | Elmer Bernstein |
Production company | Salem-Dover Productions |
| Distributed by | Paramount Pictures |
Release date |
|
Running time | 112 minutes |
| Country | United States |
| Language | English |
| Budget | $2,400,000 |
| Box office | $10 million |
Hud is a 1963 American contemporary Western film directed and produced by Martin Ritt, and starring Paul Newman, Melvyn Douglas, Brandon deWilde, and Patricia Neal. It was produced by Ritt and Newman's recently founded company, Salem Productions, and was their first film for Paramount Pictures. Its screenplay was by Irving Ravetch and Harriet Frank Jr. and was based on Larry McMurtry's 1961 novel, Horseman, Pass By. The film's title character, Hud Bannon, was a minor character in the original screenplay, but was reworked as the lead role. With its main character an antihero, Hud was later described as a revisionist Western.
The film was shot on location on the Texas Panhandle, including Claude, Texas. Its story centers on the ongoing conflict between principled patriarch Homer Bannon (Douglas) and his unscrupulous and arrogant son, Hud (Newman), during an outbreak of foot-and-mouth disease which puts the family's cattle ranch at risk. Lonnie (deWilde), Homer's grandson and Hud's nephew, is caught in the conflict and forced to choose which character to follow.
Hud premiered at the Venice International Film Festival, and was a critical and commercial success at its general release. It was nominated for seven Academy Awards, winning three; Patricia Neal won Best Actress, Melvyn Douglas won Best Supporting Actor, and James Wong Howe the Academy Award for Best Black and White Cinematography. Howe's use of contrast to create space and his selection of black-and-white was acclaimed by critics. In later reviews, the film received additional praise. In 2018, the film was included in the National Film Registry by the Library of Congress.