Glenn Gould
Glenn Gould | |
|---|---|
Gould c. 1961 | |
| Born | Glenn Herbert Gold 25 September 1932 Toronto, Ontario, Canada |
| Died | 4 October 1982 (aged 50) Toronto, Ontario, Canada |
| Burial place | Mount Pleasant Cemetery, Toronto |
| Alma mater | Royal Conservatory of Music |
| Occupation | Pianist |
| Awards | Companion of the Order of Canada (declined by Gould) Grammy Lifetime Achievement Award (2013) Grammy Awards: 1973, 1982, 1983 Juno Awards: 1979, 1983, 1984 Canadian Music Hall of Fame National Historic Person |
| Musical career | |
| Genres | Classical music |
| Instruments |
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| Years active | 1945–1982 |
| Label | Columbia Masterworks |
| Website | glenngould |
| Signature | |
Glenn Herbert Gould (/ɡuːld/; né Gold; 25 September 1932 – 4 October 1982) was a Canadian pianist and broadcaster. Widely regarded as one of the greatest pianists of all time, he was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music.
Gould rejected most of the Romantic piano literature by Chopin, Schumann, Liszt, Rachmaninoff, and others in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Gould also recorded pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons, Classical composers such as Haydn, Mozart, and Brahms, and 20th-century composers including Paul Hindemith, Arnold Schoenberg, Alexander Scriabin, and Richard Strauss.
Gould was also a writer and broadcaster, and dabbled in composing and conducting. He produced television programmes about classical music, in which he would speak and perform, or interact with an interviewer in a scripted manner. He made three musique concrète radio documentaries, collectively the Solitude Trilogy, about isolated areas of Canada. He was a prolific contributor to music journals, in which he discussed music theory. Gould was known for his eccentricities, ranging from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and behaviour. He disliked public performance, and stopped giving concerts at age 31 to concentrate on studio recording and media. His recording of the Prelude and Fugue in C major (BWV 870) from The Well Tempered Clavier, Book 2 is included on the Voyager Golden Record, a sample of the sights and sounds of Earth sent into space with the Voyager spacecraft.