Eurovision Song Contest 1956

The Eurovision Song Contest 1956, originally titled the Gran premio Eurovisione 1956 della canzone europea (English: Grand Prix of the Eurovision song competition 1956; French: Grand prix Eurovision 1956 de la chanson européenne), was the first edition of the Eurovision Song Contest, held on 24 May 1956 at the Teatro Kursaal in Lugano, Switzerland, and presented by Lohengrin Filipello. It was organised by the European Broadcasting Union (EBU) and host broadcaster Radio svizzera italiana (RSI) on behalf of the Swiss Broadcasting Corporation (SRG SSR). It is the only time that the contest has been hosted by a solo male presenter.

Inspired principally by the Italian Sanremo Music Festival, held annually since 1951, the concept of a televised European song contest, initially proposed by Italian broadcaster Radiotelevisione italiana (RAI), was formulated by an EBU committee led by Swiss broadcaster and executive Marcel Bezençon. Following approval at the EBU's General Assembly in 1955, the rules and structure of the contest were agreed upon. Several of the rules utilised in this first contest would subsequently be altered for future editions, and it remains the only edition in which each country was represented by two songs, with a voting process which was held in secret and where juries could vote for the entries from their own country.

Broadcasters from seven countries participated in the inaugural edition of the contest, and the first winner was the host country Switzerland, with the song "Refrain" performed by Lys Assia. The result was determined by an assembled jury composed of two jurors from each country, with each juror giving each song a score between one and ten. Only the winning country and song were announced at the conclusion of the event, with the results of the remaining participants unknown. Even though it was broadcast on television via the Eurovision network and radio in ten countries, no video footage of the event is known to exist, with the only video available being of the reprise performance from an independent archiver; the majority of the broadcast is, however, available in audio.