Emerald Tablet

The Emerald Tablet, also known as the Smaragdine Table or the Tabula Smaragdina, is a compact and cryptic text traditionally attributed to the legendary Hellenistic figure Hermes Trismegistus. The earliest known versions are four Arabic recensions preserved in mystical and alchemical treatises between the 8th and 10th centuries CE—chiefly the Secret of Creation (Arabic: سر الخليقة, romanized: Sirr al-Khalīqa) and the Secret of Secrets (سرّ الأسرار, Sirr al-Asrār). It was often accompanied by a frame story about the discovery of an emerald tablet in Hermes' tomb.

From the 12th century onward, Latin translations—most notably the widespread so-called vulgate—introduced the text to Europe, where it attracted great scholarly interest. Medieval commentators such as Hortulanus interpreted it as a "foundational text" of alchemical instructions for producing the philosopher's stone and making gold. During the Renaissance, interpreters increasingly read the text through Neoplatonic, allegorical, and Christian lenses; and printers often paired it with an emblem that came to be regarded as a visual representation of the Tablet itself. Vernacular translations of the Latin vulgate also started to appear, such as an English translation prepared by Isaac Newton.

Following the 20th-century rediscovery of Arabic sources by Eric Holmyard and Julius Ruska, modern scholars continue to debate its origins. They agree that the Secret of Creation, the Tablet's earliest source and its likely original context, was either wholly or at least partly compiled from earlier Greek or Syriac materials. The Tablet remains influential in esotericism and occultism, where the phrase as above, so below (a paraphrase of its second verse) has become a popular maxim. It has also been taken up by Jungian psychologists, artists, and figures of pop culture, cementing its status as one of the best-known Hermetica.