Célimène et le cardinal

Célimène and the Cardinal (original French title: Célimène et le Cardinal) is a 1992 play by French playwright Jacques Rampal that continues Molière's play The Misanthrope. Well-known actresses such as Ludmila Mikaël (1993) and Claude Jade (2006) performed as Célimène on French stages.

In Rampal's play, the lovers Célimène and Alceste meet again after 20 years. Rampal uses Alexandrians like Molière's for this, so that the impression can arise that Molière wrote it, although the play was only written in 1993. The play received three Molière Awards, France's highest theatre prize, in 1993. The play is performed in Quebec, Denmark, Belgium, Switzerland, Poland, Spain and the United States. Translated into Italian, Romanian and Chinese, it is also waiting to be performed in these three countries. [1]

The whole point of Jacques Rampal's play is to bring together the two protagonists of Molière's work to confront them in the light of what they have become. In Le Misanthrope, Célimène was twenty years old and spent her time seducing men without really having any sincere feelings for anyone. She was driven by a desire to please, by coquetry, and was an early advocate of feminine freedom. Célimène, on the surface, has betrayed the coquette she was by leading a tidy life. As for Alceste, adorned in the Cardinal's purple, he has joined a world he once abhorred: that of the Court, where compromise is nonetheless elevated to a status. This improbable face-off is the pretext for a sparkling oratorical joust in which mischievous innuendo, rebellious ardour, incantations, threats and half-hearted confessions follow one another. For Célimène has lost none of her impertinence. Her coquettishness is always present, and she goes so far as to confide to Alceste that, although she is married, she has nevertheless practised "deviations" in her relationship with her husband, so much so that one of her children bears a striking resemblance to one of their mutual friends (Philante from "The Misanthrope"). Alceste has even summoned the flames of hell, but Célimène is unmoved. And when Alceste demands a full confession, she makes it with an impertinence that is not far from jubilation.