Ashes to Ashes (David Bowie song)

"Ashes to Ashes"
One of the UK cover variants
Single by David Bowie
from the album Scary Monsters (and Super Creeps)
B-side"Move On"
Released1 August 1980 (1980-08-01)
RecordedFebruary–April 1980
Studio
Genre
Length
  • 4:23 (album version)
  • 3:35 (single version)
LabelRCA
SongwriterDavid Bowie
Producers
David Bowie singles chronology
"Crystal Japan"
(1980)
"Ashes to Ashes"
(1980)
"Fashion"
(1980)
Music video
"Ashes to Ashes" on YouTube

"Ashes to Ashes" is a song by the English musician David Bowie from his 14th studio album, Scary Monsters (and Super Creeps) (1980). Co-produced by Bowie and Tony Visconti, it was recorded from February to April 1980 in New York and London and features guitar synthesiser played by Chuck Hammer. An art rock, art pop and new wave song led by a flanged piano riff, the lyrics act as a sequel to Bowie's 1969 hit "Space Oddity": the astronaut Major Tom has succumbed to drug addiction and floats isolated in space. Bowie partially based the lyrics on his own experiences with drug addiction throughout the 1970s.

Released as the album's lead single on 1 August 1980, "Ashes to Ashes" became Bowie's second No. 1 single on the UK singles chart and his fastest-selling single. The song's music video, co-directed by Bowie and David Mallet, was at the time the most expensive music video ever made. Featuring heavy use of solarised colour, the video presents Bowie as a clown, an astronaut and an asylum inmate, each representing variations on the song's theme, and includes appearances from four members of London's Blitz club, including the singer Steve Strange. Influential on the rising New Romantic movement, commentators have considered it one of Bowie's best videos and among the best music videos of all time.

Bowie performed the song only once during 1980 but frequently during his later concert tours. Initially viewed with mixed critical reactions, later reviewers and biographers have considered it one of Bowie's finest songs, particularly praising its unique musical structure. In subsequent decades, the song has appeared on various compilation albums and other artists have covered, sampled or used its musical elements for their own songs. A 2008 BBC television series was later named after it.