Alice Notley
Alice Notley | |
|---|---|
| Born | Alice Elizabeth Notley November 8, 1945 Bisbee, Arizona, U.S. |
| Died | May 19, 2025 (aged 79) Paris, France |
| Education | Columbia University (BA) University of Iowa (MFA) |
| Occupation | Poet |
| Notable work | The Descent of Alette, Disobedience, Culture of One, Mysteries of Small Houses, Grave of Light: New and Selected Poems, 1970-2005, Being Reflected Upon |
| Spouses | |
| Children | 2, including Anselm Berrigan |
Alice Elizabeth Notley (November 8, 1945 – May 19, 2025) was an American poet. Notley came to prominence as a member of the second generation of the New York School of poetry. Notley's early work laid both formal and theoretical groundwork for several generations of poets and topics like motherhood and domestic life. The Paris Review described her as having been "one of America's greatest living poets".
Notley's experimentation with poetic form, seen in her books 165 Meeting House Lane, When I Was Alive, The Descent of Alette, and Culture of One, ranges from a blurred line between genres, to a quotation-mark-driven interpretation of the variable foot, to a full reinvention of the purpose and potential of strict rhythm and meter.
In addition to poetry, Notley wrote a book of criticism (Coming After, University of Michigan, 2005), a play ("Anne's White Glove"—performed at the Eye & Ear Theater in 1985), a biography (Tell Me Again, Am Here, 1982), and she edited three publications, Chicago, Scarlet, and Gare du Nord. Notley's collage art appeared in Rudy Burckhardt's film "Wayward Glimpses" and her illustrations have appeared on the cover of numerous books. As is often written in her biographical notes, "She has never tried to be anything other than a poet." She was a recipient of the Ruth Lilly Poetry Prize.