Actors of the Comédie-Française
| Actors of the Comédie-Française | |
|---|---|
| Coquettes qui pour voir | |
| Artist | Antoine Watteau |
| Year | c. 1711–1718 See § Dating |
| Catalogue | H 30; G 78; DV 36; R 107; HA 154; EC 162; F B32; RM 118; RT 77 |
| Medium | oil on panel |
| Dimensions | 20 cm × 25 cm (7.9 in × 9.8 in) |
| Location | Hermitage Museum, Saint Petersburg |
| Accession | ГЭ-1131 |
Actors of the Comédie-Française, also traditionally known as The Coquettes (Les Coquettes; from Coquettes qui pour voir), is an oil on panel painting in the Hermitage Museum, Saint Petersburg, by the French Rococo artist Antoine Watteau (1684–1721). Variously dated within the 1710s by scholars, the painting forms a compact half-length composition that combines portraiture and genre painting, notably influenced by Venetian school, the Le Nain brothers, and Watteau's master Claude Gillot; one of the rarest cases in Watteau's body of work, it shows five figures — two women, two men, and a black boy — amid a darkened background, in contrary to landscapes that are usually found in Watteau's fêtes galantes.
For three centuries, there were numerous attempts to identify the subject and the characters represented by Watteau; various authors thought the painting to be either a theatrical scene featuring commedia dell'arte masks, or a group portrait of Watteau's contemporaries. Beginning from the late 20th century, Russian and Western sources accept a theory developed within the Hermitage Museum that holds the painting to be a group portrait of the Comédie-Française players who performed in the playwright Florent Carton Dancourt's play The Three Cousins. Given a variety of available interpretations, the painting has been known under a number of various titles; its traditional naming is derived from anonymous verses, with which the painting was published as an etching in the 1730s.
By the mid-18th century, Actors of the Comédie-Française belonged to Louis Antoine Crozat, Baron de Thiers, a nephew of the Parisian merchant and art collector Pierre Crozat; as part of the Crozat collection, the painting was acquired in 1772 for Empress Catherine II of Russia. Since then the painting was among Russian imperial collections in the Hermitage and, later, in the Gatchina Palace, before entering the Hermitage again in the 1920s; as part of the museum's permanent exhibition, it remains on display in the Winter Palace.